A STUDY OF THE AESTHETIC ANALYSIS OF MODERN DOUBLE-ROW STRINGED KONGHOU PLAYING TECHNIQUE

บทคัดย่อ

The objectives of this research study are. A study of the aesthetic analysis of modern double-row stringed Konghou playing technique.Scope. Review of relevant literature and relevant research.Watch related performance videos and attend concerts.Follow Lu Lu teacher to learn the modern double string Konghou playing skills in Beijing. Main informant:The researcher collects data to obtain information by watching the concerts of these 4 artists and interviewing 2 experts of Konghou as follows and reading the book of Konghou Examination.1)Lu Lu,China Conservatory of Music,Konghou professional direction tutor. (The famous Konghou artist in China) 2)Xue Wang,Zhejiang Conservatory of Music,Konghou professional direction tutor. (The famous Konghou artist in China) 3)Chang Su,Central Conservatory of Music,Guzheng professional direction tutor.(The famous Guzheng artist in China)  4)Xavier de maistre,World-renowned harpist.(Artist) 5)Zhiling He,Shenyang Conservatory of Music,Associate professor.(Expert scholar) Methodology 1.Literature method Use libraries, online databases (such as Yutube), and websites such as Max's Scholar to review relevant literature. 2.Observational method I select 4 famous musician in the fields of Konghou, Guzheng and harp respectively, and observe their playing techniques by watching their playing videos and participating in concerts. 3.Practical method I follow the famous Chinese Konghou player, educator Lu Lu, a professional lecturer of Konghou performance in China Conservatory of Music, to learn the performance skills of Konghou. She told me the performance skills of Konghou and her habits in the performance in detail.The study of the aesthetic analysis of modern double-row stringed Konghou playing technique has both research value and aesthetic value.Through the method of literature, observation and practice, I came up with the modern double-row stringed harp playing technique combining the Chinese classical instrument Guzheng and the western instrument Harp, which could play both Chinese melodic music and western harmonic music. It was an instrument with both Eastern and Western aesthetics.