ROLE OF THE UPAKARA HORSE IN KHON PERFORMANCE

Abstract

This research aims to study the roles and dance movements of the character Uphakarn horse in the Khon performance of Ramakien: The Release of Maa Uppakarn. A qualitative research methodology was employed, involving documentary study, performance observation, and in-depth interviews with experts in Thai classical dance. Analyze in a descriptive manner

The findings reveal that:

1. Uphakarn horse plays a significant role as the royal steed of Phra Ram, symbolizing power, loyalty, and sanctity. The performer conveys these attributes through refined and vigorous dance gestures, reflecting the traditional belief in the king’s divine authority and virtue within Thai performing arts.


2. The dance movements of Uphakarn horse integrate standard Natyasap (classical dance vocabulary) with natural equine gestures such as walking, jumping, and stamping, expressing strength and grace in harmony with the rhythm and emotional tone of the Khon performance.

Analyzed through the Body Language Theory and Role Theory, the study explains that the performer uses bodily movement as a symbolic language to communicate the emotions, personality, and social status of the character within the Ramakien narrative. The findings contribute new knowledge that animal characters in Khon are not merely narrative elements but serve as significant carriers of artistic and cultural meaning. Moreover, this study provides a foundation for comparative research on other animal roles and for the application of these insights in Thai dance education.