AN INTEGRATED ANALYSIS OF NARRATIVE STRUCTURE AND FILM LANGUAGE IN THE FILMS OF APICHATPONG WEERASETHAKUL

Abstract

This study aims to examine  the films of the acclaimed Thai filmmaker Apichatpong Weerasethakul. The specific objectives are: 1) to investigate the narrative structure of Apichatpong Weerasethakul’s films, and 2) to explore the film language of Apichatpong Weerasethakul’s films. This is a qualitative research employs textual analysis as the methodology. Five of Apichatpong’s feature films released between 2002 and 2021 were selected as the primary data sources. Supplementary data were gathered from relevant academic literature, film criticism and interview. The study findings indicate that Apichatpong’s films frequently portray marginalized characters and explore spiritual themes rooted in Thai Buddhism and animism. His narrative structure often departs from linear storytelling, embracing ambiguity and temporal fluidity. In terms of film language, his use of long takes, ambient soundscapes, and durational editing creates a meditative atmosphere that  deepens the viewer’s emotional engagement. These elements together establish a dreamlike, subconscious cinematic experience that challenges traditional cinematic forms. Apichatpong's films are not only a unique window through which the world views Thai cinema, but also hold significant influence within the realm of international art cinema.