THE STUDY OF NARRATIVE STRUCTURE AND FILM LANGUAGE IN TSUI HARK’S FILMS
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Abstract
This study investigates the narrative structure and film language in the fantasy works of Tsui Hark, focusing specifically on three representative films released between 2013 and 2018. As a director known for blending traditional Chinese aesthetics with modern cinematic techniques, Tsui constructs intricate narratives that challenge linear storytelling and genre conventions. Using qualitative methods of textual and visual analysis, the research explores how Tsui’s films utilize episodic structures, symbolic imagery, dynamic cinematography, and layered sound design to communicate deeper philosophical and cultural themes. The findings reveal that Tsui Hark’s cinematic style transcends entertainment, positioning his works as culturally reflective texts that engage with identity, power, and illusion in contemporary Chinese society. His hybrid narrative and visual strategies contribute significantly to the evolution of genre cinema in a transnational context.
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