FROM COURT INSTRUMENT TO CULTURAL REVIVAL: THE HISTORICAL EVOLUTION AND CONTEMPORARY RECONSTRUCTION OF “KONGHOU”

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Jing Li
Palphol Rodloytuk

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This study explores the historical evolution and contemporary reconstruction of the Konghou, an ancient Chinese plucked-string instrument with a history of over two millennia. Drawing on perspectives from history, cultural studies, and communication studies, this research employs a qualitative methodology involving historical document analysis, archaeological interpretation, and a systematic study of Dunhuang grotto murals. To establish empirical credibility, in-depth interviews were conducted with 24 purposefuly selected participants, including 5 professional performers, 7 research experts, 10 audience members, and 2 cultural officials, supplemented by participant observation in professional rehearsal settings.


The study traces the morphological and aesthetic transformations of the Konghou, identifying the socio-cultural factors behind its historical decline and modern revival. Findings indicate that the contemporary reconstruction represents not a simple restoration, but a process of cultural reinterpretation. Crucially, this research identifies specific technological innovations—namely the dual-row 76-string configuration and the advanced pedal modulation system—as the key drivers that have resolved historical tonality limitations and enabled integration into modern orchestral systems. Despite this progress, challenges such as high manufacturing costs and a lack of standardized pedagogical materials persist. To ensure sustainable development, this study proposes strategic pathways involving educational policy (integrating Konghou into school curricula), digital media (leveraging VR/AR for heritage archiving), and economic incentives (tax support for instrument manufacturers). These insights contribute to the broader discourse on the preservation and reconstruction of traditional musical heritage in a globalized context.

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เอกสารอ้างอิง

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