INTEGRATING XIANG EMBROIDERY INTO MODERN JEWELRY DESIGN: A DIALOGUE WITH THE ART NOUVEAU
Main Article Content
บทคัดย่อ
Traditional handicrafts like Xiang embroidery are facing a decline,
struggling to find relevance in the context of modern art and design. This study
aims to explore the integration of Xiang embroidery with the Art Nouveau
movement, which, with its well-established theoretical and artistic framework,
offers potential for revitalizing traditional crafts. By comparing the aesthetic
elements of Xiang embroidery and the Art Nouveau style, the research
identifies shared design principles and seeks to extract key concepts from
Western jewelry influenced by Art Nouveau. Using literature review, case
studies, and field research, the paper examines how Xiang embroidery
elements can be adapted into contemporary jewelry design that aligns with
modern aesthetic preferences. The study concludes that incorporating Art
Nouveau design principles offers a viable path for reinterpreting Xiang
embroidery in a modern context, providing it with renewed artistic value and
market potential in contemporary jewelry design. This integration further
highlights its dual significance: enriching the contemporary art field through cross-cultural innovation while contributing to the long-term preservation and
sustainable revitalization of traditional crafts.
Article Details
เอกสารอ้างอิง
Bhabha, H. K. (1994). The postcolonial and the postmodern: The question of agency. The location of culture, 171-197. https://doi.org/https://doi.org/10.4324/9780203820551
Dan, C. (2021). A Study on the Aesthetic Problem in Roland Barthes' Semiotic Aesthetics [Master, https://link.cnki.net/doi/10.27389/d.cnki.gxadu.2021.000196
Grady, J. (1955). Nature and the Art Nouveau. The Art Bulletin. https://doi.org/10.1080/00043079.1955.11408304
Grishina, A. (2024). Historical and cultural aspects of Art Nouveau style in object design. International Journal of Science and Research Archive, 12(2), 2205-2210. https://doi.org/https://doi.org/10.30574/ijsra.2024.12.2.1374
GÜN, F. T. (2021). THE PLACE AND IMPORTANCE OF HYBRIDITY IN ARTS AND CRAFTS AND ARTS NOUVEAU ART MOVEMENTS. Premium e-Journal of Social Sciences (PEJOSS), 5(15), 394-405.
Isbill, J. A. (2003). The continuing influence of René Lalique in jewelry design. California State University, Dominguez Hills.
Li, H. (2024). Introduction to Chinese Embroidery. Springer Nature.
Marshall, A. (2021). The Skin of a Line: Surface Conditions in the Ceramic Skin of Art Nouveau. Architecture and Culture. https://doi.org/10.1080/20507828.2021.1919855
Misiorowski, E. B., & Dirlam, D. M. (1986). Art Nouveau: Jewels and Jewelers. Gems & Gemology, 209.
Sembach, K.-J. (2002). Art Nouveau. Taschen.
Tsoumas, J. (2019). Insects in Japanese culture: Influences on the fin de siècle glass and jewelry design. Figura: Studies on the Classical Tradition, 7(1), 185-210.
Wang, L. (2019). Inheritance and innovation of embroidery in modern design. 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019),
Ward, V. (2005). Architectonic Jewellery: An interrogation of the translation of ideas from architecture to jewellery through the design and production of contemporary jewellery The Glasgow School of Art].
Weisberg, G. P., Becker, E., & Possémé, É. (2004). De oorsprong van l'art nouveau: het Bing imperium. Amsterdam University Press.
Wu, L. (2024). A Brief Analysis on the Development of Chinese Embroidery Crafts. Cultural and Art Innovation·International Academic Forum, 3(3), 43-45.
Yanzi, S., & Wei, F. (2020). Deconstruction of the Totem Worship Theme in Xiang Embroidery. Western Leather, 42(23), 62-63+65.