THE CURRENT STATUS AND TRANSMISSION DYNAMICS OF BEIJING QU OPERA IN CHINA
Main Article Content
บทคัดย่อ
Beijing Qu Opera is a vital cultural emblem of the Chinese capital and the city’s only indigenous operatic genre. The purpose of this study is to investigate the contemporary survival mechanisms and transmission strategies of Beijing Qu Opera and to provide a strategic roadmap for its sustainable development as a dynamic urban cultural emblem. To address this, the study employs qualitative research, including document analysis and in-depth interviews with five informants. The findings reveal that the genre operates in a complex environment, balancing the preservation of Intangible Cultural Heritage (ICH) with commercial viability. This is evidenced by spatial innovations that expand performances from traditional theaters into historical guild halls and urban cultural landmarks, alongside a successful joint training model with the National Academy of Chinese Theatre Arts. Such dynamics mitigate the generational talent gap, maintaining an employment rate of over 95% among new performers. The study concludes that synergy between national policy support, spatial innovation, and talent cultivation is essential for sustainable development. By evolving from singing stories to performing stories, Beijing Qu Opera continues to reflect the capital's authentic spirit and contemporary urban identity.
Article Details

อนุญาตภายใต้เงื่อนไข Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
เอกสารอ้างอิง
Bortolotto, C., & Ubertazzi, B. (2023). Intellectual property as a blind spot in the UNESCO Convention for the safeguarding of the
intangible cultural heritage. International Journal of Heritage Studies, 29(10), 1128-1140.
Chakrabarti, M., & Chakrabarti, G. (Eds.). (2025). Intangible Cultural Heritage in a Globalized World. Springer Nature Singapore.
Fan, X. (2018). Staging revolution: artistry and aesthetics in model Beijing opera during the cultural revolution. Hong Kong University Press.
Fu, X., & Choatchamrat, S. (2024). The Contemporary Transmission Methods and Education of Chinese Jinghe Opera to Address Current Challenges in Hubei Province. World Journal of Education, 14(1), 96-105.
Fu, X., Nesusin, S., & Pikulsri, C. (2024). Study on the National Characteristics of Modern Chinese Opera Music. Pakistan Journal of Life & Social Sciences, 22(2), 21638-21646.
Haili, M. (2016). Urban politics and cultural capital: The case of Chinese Opera. Routledge.
Haiping, Y. (2015). Theater and Society: An Introduction to Contemporary Chinese Drama. In Theatre and Society: Anthology of Contemporary Chinese Drama (pp. ix-xlvi). Routledge.
Huang, C. (2025). Philosophical Paradigms and Intercultural Interpretation in Ethnomusicology Research. Mediterranean Archaeology and Archaeometry, 25(3), 84-90.
Li, W. (2021, November). The Application of Traditional Beijing Opera Artistic Elements in the Narrative of Modern Dining Space. In 2021 3rd International Conference on Literature, Art and Human Development (ICLAHD 2021) (pp. 551-558). Atlantis Press.
Liu, S. (2016). Modern Chinese Theatre. In Routledge handbook of Asian theatre (pp. 311-327). Routledge.
Luo, Q., Woramitmaitree, N., & Chuangprakhon, S. (2025). The Fusion of Chinese Popular Songs Inspired by Peking Opera and Western Music Genres in Educational Studies. International Education Studies, 18(4), 108-120.
Ouyang, Z. (2024). Ancient Beijing and Western Civilization. Routledge.
Schuller, E. (2024). Facing Forward, Looking Back: Transmission of Chinese Culture in Singapore through Music. Western Illinois University.
Scovazzi, T. (2023). Sustainable Development and Intangible Cultural Heritage. In Cultural Heritage, Sustainable Development and Human Rights (pp. 213-232). Routledge.
Silva, B. (2024, June). Tradition and Symbolism in Revolutionary Peking Opera (1966-1976). In Meeting of Research in Music, Arts and Design (pp. 555-571). Cham: Springer Nature Switzerland.
Takao, M., & van Orden, K. (2022). Global Music History. Oxford University Press.
Wang, G., & Yingde, G. (2023). Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese
Literature. Journal of Chinese Literature and Culture, 10(1), 267-293.
Wang, K., & Moonsuwan, T. (2024). Yangge: Cultural Identity of Native Drama in the Context of Modern China. The International Journal of Critical Cultural Studies, 22(2), 93-115.
Wu, K. (2023). Cultural confluence: the impact of traditional and modern synergies in Chinese juvenile musical theater. International Journal of Education and Humanities, 11(2), 192-199.
Xiaobin, Y., & Ku Wing, C. (2025). Geographical Resonance: A Narrative Review on the Geographical Influence in Northern and Southern Chinese Folk Songs. Sage Open, 15(4), 21582440251398933.
Yan, T. (2025). Marketing and consuming Beijing Opera (Jingju) costumes in pre-1949 China: a special stage costume with multilevel meanings. Journal of Historical Research in Marketing, 17(1-2), 30-52.
Zabulis, X., Partarakis, N., Zidianakis, E., & Kaplanidi, D. (2025). A Critical Review of the Function of Intangible Cultural Heritage as a Driver for Social Resilience and Cohesion. Encyclopedia, 5(4), 189.
Zhang, Y., & Natayakulwong, S. (2024). Cultural Identity and the Revival of Buyi Opera at the Local, Regional, and National Levels: A Case Study of Traditional Chinese Culture. The International Journal of Critical Cultural Studies, 22(1), 105-122.
Zifei, L., Aris, A., & Nor, Z. (2024). An Analysis and Research on the Characteristics of Chinese Jin Opera Costume Art. Advances in Humanities and Contemporary Studies, 5(2), 68-74.